Make Your Hero a Bastard

This isn’t so much a post about improving your writing as much as something to think about. It’s about your good guy and how he fights.

The instinct for many of us is to put our hero in the white hat. He prefers a stand-up fight. He’s fair, giving the antagonist a chance. That’s what makes him the hero and it’s what the audience loves about him, right?

Turns out, not so much.

It may be obvious to some, but audiences today in particular like the antihero. Hence the popularity of characters like Artemis Fowl, the Dragon in the Girl with the Dragon Tattoo, semi-reluctant-hero Wolverine, and any former-cop-who-plays-too-loose-with-the-rules.

Funny thing is, we love when our heroes fight dirty.

Author Lee Child often has his character Jack Reacher describe himself in simple terms. He’s big. Really big. Like six-five and built like a truck. Not the smartest guy, but very well trained as an investigator and fighter. And big.

Uh, close enough?

Uh, close enough?

He runs into a lot of badguys. And when he does, he doesn’t give them a fair fight. If he knows a fight is going to happen before the other guy does, he ends it. It’s pretty awesome.

There’s nothing wrong with below-the-belt blows when the guy getting tagged is a pedophile terrorist woman-abusing Nazi.

When the badguy tosses sand in our heroine’s eyes, it’s a dirty trick. And it makes it better when the heroine wins by remembering how sensei made her train in a blindfold.

But when she tosses sand in the badguy’s eyes and eviscerates the antagonist right in the middle of his pompous ‘I-have-you-now’ speech?

Oooo…. that just kicks ass.

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